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Studio one note fx12/9/2023 ![]() Basic set of editing features, including Arranger Track.Basic set of plug-ins, Presence XT sampler.The following describes the differences between these versions. Studio One uses a single installer for all versions, and the product key with which you activate Studio One determines the version that you run. ![]() ![]() There are three versions of Studio One 5: Prime, Artist and Professional. It makes sense, too, because we had years of ever-more-sophisticated, modular synths but kept triggering them with the same quantized 8-step patterns on, like, the note C. Now, I think we’re in a pretty nice phase, where the competition is getting software makers to get more creative and nuanced with off-the-grid, imaginative, inspirational devices.Īnd there are some delightful details to these. For full decades, leapfrogging in music software was focused on pretty mouse-heavy edit features and lots of sequencing and editing devices that kept you on the grid – both the pitch and rhythmic grid, in a way that distorts even western concert music to say nothing of other traditions. There’s strumming like we saw on Maschine and later in Max for Live, and some resonance with stuff like the Inspired by Nature series by Dillon Bastan.īut let’s reflect on this a bit. So these Note FX do incorporate ideas you’ve seen elsewhere. We’re definitely seeing one of those mature cycles of DAWs – even the younger ones like Bitwig Studio – where it’s not so much about entirely new ideas as everybody trying to perfect execution. More features in Controller API (Arranger loop range, cue marker add and remove, expand/collapse group tracks, canUndo, canRedo).Arpeggiator updated with Update Rate at Next Step (oh, yeah, that’s useful when switching rates).Updated presets with more consistent velocity, vibrato mappings.Direct MIDI output from all tracks (but still HW Instrument if you need delay compensation).Updated Multi-Note, Note Length, Note Filter Note FX, too.That works with samples that contain that information already (SFZ), but it could also be a way of building complex playable sounds. There are a number of other features, but the other one I find interesting is putting a Release chain in Sampler – so when you release a note, it triggers an instrument. (Come on, you don’t think I’d control my attention deficit through a story on a DAW update, did you? I’m learning to live without doing everything in Live… I missed you sometimes, Bitwig. ![]() It really gets to “the heart of the matter.” Even if, even if I don’t have chops any more. Honestly, the “forgiveness” parameter with quantize I think is essential. But it has a number of smart twists – an option for Euclidean repeats (never seen that before in this combination), a Disable that leaves currently-repeating notes going rather than killing the whole device (ideal for playing live),
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